Visualizing Social Change
Social change and photography have always had something of a symbiotic relationship. “Concerned” photographers need movements, protests and problems at which to point their cameras, and change-makers need their causes … Continue reading
Close Encounters of the Theatrical Kind
Earlier this month, I wrote about how photographers and organizations were bringing elements of immersiveness and interactivity to their exhibitions at the Brooklyn festival Photoville. Though I didn’t plan it, this … Continue reading
Photointeractivity at Photoville
The weather gods were smiling on Photoville this year, bringing sun and gentle breezes to the festival’s fifth anniversary. In fact, in my memory, this mellow photo festival in shipping … Continue reading
Well-Worn Words: An Interview with Robin Cracknell
This is the second of two posts from London. In an increasingly digital world, photographer Robin Cracknell is an anomaly. An artist who uses film exclusively, he even goes out of his … Continue reading
Georgia O’Keeffe, Modernism and Photography
This is the first of two posts from London, U.K. Of all the notable 20th century artists, Georgia O’Keeffe might win the prize for Most Featured on Posters and Paraphenalia. … Continue reading
The Birth of Arbus
There are artists whose work is so raw, so emotionally direct, that it seems potentially dangerous. In 1938, the Surrealist artist André Breton described Frida Kahlo’s painting as “a ribbon … Continue reading
Faces in the Crowd
A friend, visiting from California recently, remarked that New Yorkers are skilled in the “art of the swerve.” She was referring to that moment that happens when two people, approaching … Continue reading